First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

Whoever does not yet know Gaetano Donizetti's Don Pasquale will learn to love it with this elegant and stylish production by Stefano Vizioli. Lovers of this opera will be enthralled by Eva Mei's high, clear voice as well as Alessandro Corbelli's and her touching performances. Gérard Korsten conducts the orchestra of the Teatro Lirico and proves that Donizetti's spritely music gives room for fascinating interpretations. The opera tells the story of an elderly dandy, who is thoroughly cured from his desire to get married and thus hands over his young lady to her actual lover a tale as old as comedy itself. Donizetti however, being the master of cryptic comedy, extends this traditional "buffa" subject matter to a character comedy. His characters are not merely archetypes; they develop their individual profile throughout the differentiated and diversified plot. This work shines with musical wit, expressed in numerous coloraturas, cavatinas and duets.

"This is Vienna State Opera live at home". April 2015.

Juan Diego Florez in another of his great stage roles. Old Don Pasquale (Ruggero Raimondi) wishes to marry and produce an heir, thus disinheriting his nephew Ernesto, who loves the merry widow Norina. Pasquale"s physician Malatesta pretends that Norina is his sister 'Sofronia', and arranges a mock wedding to Pasquale. 'Sofronia' then proceeds to make Pasquale's life a misery.

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One of the reasons why Donizetti's Don Pasquale is regarded as a cornerstone of the Italian comic opera tradition is because its characters are no mere commedia dell’arte stereotypes, but complex, vulnerable human beings. This is brought to the fore in Mariame Clément's sensitive and perceptive production, which was hailed by the Financial Times as ‘a Glyndebourne classic’. Acclaimed buffo baritone Alessandro Corbelli sings the title role ‘with just the right degree of lugubriousness’, while Danielle de Niese, one of today's most sought-after sopranos, is an ‘engaging’ and ‘irresistible’ Norina (The Telegraph). Bel canto specialist Enrique Mazzola conducts with flair and panache. Filmed in High Definition and recorded in true Surround Sound.

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Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

Glyndebourne has brought to light a long-overlooked winner in Donizetti's Poliuto, delivering a superb musical performance (The Telegraph) offering lucent accounts of the principal roles and an incandescent London Philharmonic Orchestra, under Enrique Mazzola (New York Times). This first-ever professional UK staging of the story of third-century Armenian martyr St Polyeuctus features a trio of world-class young singers with Beverly Sills- and Richard Tucker-award-winning Fabiano displaying a thrilling, vibrant tone in the title role, Martínez providing Paolina with pinging coloratura and Golovatenko giving a radiant-toned voice to Severo (The Guardian )

Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.